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Thursday, April 27, 2006

All work and no play

The radio gig is exhausting. When the day's over, any creative energy is spent, and I feel like doing nothing but sleeping or playing poker.

I'm still enjoying working at the radio station, though really I'd probably be happy with any job. I adapt well, particularly in creative environments where I can walk around in socks.

Sure, the commute, hours, and salary could all be better (and I would accept the rest if the salary were at least doubled), but I already feel part of their family and I seem to have been accepted and welcomed with open arms.

I'm being given more and more things to do, and at times it's difficult keeping track of everything. But juggling multiple tasks plays to my strengths. As with previous jobs, I've always felt I excelled at a little bit of everything versus being an expert at one thing. Or maybe I'm just nosy and like to know a little of what everyone does by doing it myself. Or maybe I just have ADD.

Oddly enough, when it comes to writing, I've always just wanted to write. Never act or direct or anything else associated with movies and theater.

I'm constantly learning new things at the station, and I like how each relates and informs the other. Some things I'm surprised I'm just now learning -- for example, two women work in traffic, yet the morning show always reported their own traffic. I only learned yesterday that "traffic" here means commercial traffic.

I'm still trying to wrap my head around the concept of "break" being when the show's on-air, and not a commercial break.

For two weeks I'd been assisting the producer, who was doing double-duty (for four months without pay, by the way) in promotions. I found out the plan had been to move him into promotions full-time after staying on as producer while training me for eight weeks.

First, it pleased me to know they'd planned for me to be there at least eight weeks. Second, that was a fast eight weeks. Both of us were surprised when they told him his last day with the show would be Friday and he'd be moving to promotions full-time.

Leaving me all alone working the morning show for the first time last week.

Talk about trial by fire. At least previously I had someone to bounce questions off or watch how he handled guests, screened calls, edited spots, wrote bits, and all the myriad of things that goes on with producing a radio show.

Even someone to let me into the building at 5:30 a.m. would be nice without pounding on the door, waiting for an engineer or one of the radio personalities to let me in.

Certainly two weeks isn't enough to take on the reins of producer, but that seems to be what I've become by default. I improv well, slowly doing more things on my own and suggesting possibilities for the show. I'm like a pest in that regard. The more I listen to the show, the more I get a feel for it and its audience.

Coworkers and other radio personalities have come up to me and congratulated me on my new role, asking me how things are going and how I like it. I enjoy their constant surprise when they see me doing something different. I tell them they'd better watch out because I'm after their job (jokingly, because I have no desire to be on-air).

Officially, though, there's been no word. There's been no arrangement for me to continue coming in or any long- or even short-term plans. The last thing mentioned was for me to try out assisting the morning show for a week and see how things go. That was three weeks ago.

I did notice the producer job opening posted in the break room was taken down. Perhaps they've found someone or perhaps they're seeing me in that position.

I do feel I could stay for as long as I wanted, going in any direction that I pleased. There's great room for growth.

It's strange that a company whose specialty is communications isn't very communicative to their own staff.

And I'm mum about the whole thing as well, because if my boss (and I'm still uncertain who that would be) sat me down and offered me the position full-time, I'd have to decline because I doubt it would be much more than what I'm currently getting. Even if I asked for a higher salary, I don't feel I could ask for 100 percent more, which is what I would need for a living wage.

I get the sense from coworkers that they also don't make much more than my $8.50/hour. The money is on-air and in sales, but oddly it doesn't trickle down to the rest of the staff except in perks like concert tickets, t-shirts, gift certificates, and meeting rock stars. Me, I'd prefer a salary where I could buy those things on my own. And I've never been one to fawn over any celebrity.

In any event, I plan to just keep coming in until they tell me not to or until I find another job. I'd love to continue doing it and think I'd be good at it, but because of the salary, I'm still viewing it as temporary.

§

I was asked to write a couple more things for the show.

This one was again for the Archie Bunker-like character, talking about gas-saving tips ($3 in Vegas).

I thought this was a lesser effort than the Easter Bunny jokes, but I thought I'd share (with no producer, I won't know how many they recorded until I hear them on-air):
Change your diet, try eating chili without the beans.

===================================

Keep everything inflated at all times. I prefer double-D and above.

===================================

Sometimes you get what you pay for. Self-service may be cheaper, but full-service has a happier ending.

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For better gas mileage, remove extra weight from the trunk. Get your wife a StairMaster.

===================================

To save on gas, reconsider accessories that create wind resistance, like that fancy schmancy sun roof. In other words -- gals, take off your tops!

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Save gas by not leaving the house. Get pizza delivered. Do mail order. Massage girls will make house calls and come to you. They'll also come with you.

Tuesday, April 25, 2006

Ben & Jerry's free cone day today

Will post soon, but wanted to remind you of Ben & Jerry's free cone day taking place today from noon to 8 p.m. Participating stores only.

There are five locations in Las Vegas, and I plan to hit at least three (breakfast, lunch, dinner).

Wednesday, April 12, 2006

Be the bunny

River Belle has a new offer for new signups. Sign up and deposit $50, and you'll get 1,000 free spins on their WowPot Progressive slot machine. The minimum jackpot win is $1,000.

Or you can take River Belle's other option of depositing $50 and receiving $200 for 111 free spins on the King Cashalot slot machine (where the progressive is at least $100,000).

Both these deals are good if you have $50 to spare and want the most amount of chances at hitting a progressive (though the machine pays out in other amounts too).

And they're still running their Big Kahuna promotion where you get $500 to play 20 minutes worth on their Big Kahuna machine with no deposit required. You can cash out anything above $500 (up to $200). Note that in order to cash out, you have to deposit $50 (which will get you another $100 credited to your account).

§

For the first time, I had zero courier stops on Monday, which worked out timewise because my aunt and uncle are in town and I was able to hang out with them the entire day for a buffet at Main Street Station and a show at Riviera while catching up on gossip (including my cousin Steve who had some kind of disease that made all his hair mysteriously fall out... it's grown back since, except for some of his eyebrows).

The show -- Matsuri -- has acrobatic acts a la Cirque du Soleil and is extremely high energy with everyone smiling the entire time.

The small stage somehow fit over 30 Japanese performers and I doubt anyone had more than 5 percent body fat. Even the women were rippling with muscles. The entire 70-minute show seems their version of a cardiac workout.

Everyone was in shape except for one girl who was a bit chubby and another girl who looked alarmingly anorexic, with ribs showing and little sticks for legs.

Opposite extremes, I joked that the chubby girl had just started with the show, and the anorexic girl had been with them for awhile.

§

Phil Gordon stopped by the radio station and it looks like he'll be doing a weekly show with us. It'll begin with podcasts (he called Phil Hellmuth for the first show) and then turn into a live show every Monday. I bet he's getting more than $8.50 an hour.

Still, I'm excited at the prospect of seeing Phil Gordon in the lunch room and asking him about RoShamBo strategy.

The morning show found out I'm a writer, and since then I think they're testing me to see what else I can do besides answer phones. On Friday they asked me to write something regarding Easter for their Archie Bunker-type character. They wanted the tidbits to be a bit racy and push the envelope.

Here's what I came up with:
Today's topic: the Easter Bunny
I like my Easter Bunny like I like my women... medium rare.

===================================

Today's topic: the Easter Bunny
Here's one for the kiddies -- why are Easter Bunnies so quiet when they play golf? Because they have cotton balls.

["play golf" is the show's euphemism for "have sex," and I liked that the joke could also be taken literally]

===================================

Today's topic: Easter candy
Remember, cleanliness is next to Godliness. After eating candy, don't forget to lick your fingers. I always do, right Candy?

===================================

Today's topic: the Easter Bunny
Some kids like to start with the ears, others like the head. Myself, I'm a tail man. I like the long legs, the high heels, the nice round... wait, is this the Playboy bunny?

===================================

Today's topic: chocolate bunnies
I don't care if your Easter Bunny is colored or not. As I always say, once you go chocolate, you'll never go vanilla.

===================================

Today's topic: coloring Easter eggs
If you're gonna color your eggs, don't be prejudiced about it and make sure you have a nice mix of black, brown, yellow, red, and... hey what color is Jew?


They recorded all but the Playboy bunny one (couldn't think of something better), and the bits will air this week between songs and commercials.

It's weird to think that in one moment, more people will have heard something I've written on the radio than all the audiences of all my plays combined.

They gave me a trial by fire on Monday, putting me on air as a character. It certainly stirred up much conflict from the listeners and made for good radio. I also wrote something related to the character, which someone else read on-air. Talk about under pressure -- wrote it in two minutes, printed it, and it went on-air 15 seconds later.

I then suggested a follow-up on Tuesday, which they went for. It gave me a chance at seeing how truly talented the crew is in handling, directing, and leading conversations. And also at editing on the fly.

They began by pre-recording me to provide the setup, then when they saw I had the gist of it, we did it again, but live. Trouble is, I never like to be repetitive and ended up veering us off-topic and introducing something we hadn't discussed. I never got to the material I'd prepared, but the direction change was still funny, or at least I'd like to think so.

Now I'm a horrible actor, and I've never had any intention of acting, much less improv acting. When the phones get swamped, it's similar to the feeling of your actor not showing up the day of performance and the director looking at you to go on instead, because you wrote the thing. This has happened twice, and both times I feared actually having to take the stage with my own script in hand, because even if I've written the play, I don't know the lines by heart. Fortunately, both times my actor came through at the last minute.

I don't particularly enjoy being on-air, but I like writing material for the show and brainstorming subjects.

We're having a big promotion at Gameworks on Saturday, and my boss (well, I'm still unclear who my boss is, like I'm unclear what my employment status is -- I plan to just keep going in every day until someone says not to) asked what I was doing on Saturday.

I raised an eyebrow and said I wasn't doing anything between the hours of noon and 2 p.m. Seconds before I was tipped off by someone else that they wanted me to work then, but I didn't know what it entailed.

She said, "Have you ever been an Easter Bunny?"

It suddenly made sense and my face must've dropped, because she said, "Oh please please please, it'll be fun."

"Uhhh..." I said, envisioning little kids with their runny noses kicking me in the shins, pulling at my fur, and stomping on my paws.

"C'mon, be the bunny!"

I laughed and agreed.

If anyone will be in Las Vegas this Saturday, swing by Gameworks between noon and 2 p.m. and have your picture taken with me, the Easter Bunny.

Friday, April 07, 2006

Caller, you're on the air

Funny article on playing The Hammer with two outs. Oh how people still doubt its power.

§

Think I'm finally over a nasty cough that had me more sensitive to smoky casinos and falling asleep while driving (dang cough supressants on empty stomachs).

Though I don't think I'll ever be able to go to sleep at 8:15 p.m. for a full 8 hours, I don't seem to have a problem waking at 4:15 a.m.

I once worked a third-shift job that ran from 11 p.m. to 7 a.m. Talk about bad hours. Many nights I tossed my mouse at my coworker, who often fell asleep at the computer.

If I'm going to be working these hours, I'm glad it's in a 24-hour town. There's always a nearby place open 24 hours. I eat lunch at 9:30 a.m. in a sports bar across the street, and no one bats an eyelash. I nap in a casino parking lot for half an hour, and I'm ignored.

And if I'm going to be a courier, I'm glad it's in Vegas. There's always free parking at the casinos; I never have to worry about parking meters or getting towed. No one looks at me funny as I walk through the casino wearing headphones. There're also plentiful restrooms at casinos; I don't have to stop at a gas station. The only concern is traffic, which I can mostly avoid by taking side roads.

What's surprising to me is how many people call in to a radio show at 5:40 a.m. (the time of the show's first phone topic), when I'd think people would be just waking up or getting ready for work.

Being in Vegas, though, many people are still awake from their prior night's bender.

Yesterday I took constant calls from a woman who must've been up all night drinking. Over the course of the morning, I became her best friend, confidante, and therapist, as she called in every song or every topic or every guest, always with a comment. She went through several emotions, from being angry at what a caller said, to nostalgic as to what the lyrics to a Beatles song really meant, to tearful at losing the love of her life, to frustrated at being called "old and haggard" (in reference to tickets we were giving away to Bob Dylan and Merle Haggard), to why men are called dawgs (she spelled it out) and women are called bitches.

She called about a dozen times, and as long as there weren't other calls coming in, I entertained each one.

One song reminded her of Creedence Clearwater Revival, and she asked if we still took requests. All songs are pre-laid out in advance and we've never taken requests, but I said, "We'll see what we can do."

Half an hour later a CCR song began playing, a complete coincidence. A call lit up and I knew it was her. I picked it up and all I heard was the word, "Thanks."

§

I'm pretty sure they'll be offering me a full-time position soon, which I'll probably accept. I'm less excited than I should be, because $8.50 an hour even with benefits and no state taxes still isn't enough to live on.

I love working. It gives me something to do, a place to go, and I feel better about myself when I'm productive. I especially enjoy working with people, so the radio station gig is perfect.

When the current producer (the person who's been training me) found out I played poker, he was interested. I said he could shortbuy at a $100 NL game and last for awhile. He said he couldn't afford to lose $50.

Which makes me think if I took over his job, it wouldn't be much more than my $8.50. I said this to him, and he nodded knowingly, saying there were other perks about the job. The Chocolate Swan delivered some terrific cranberry muffins, eclairs, and raspberry truffles. The Las Vegas Wranglers brought in free t-shirts. A group of women showed their breasts. Perks like that?

Radio pays nothing. But to some people it must pay something because I see nice cars in the parking lot.

Though not at the station itself, the office is located in a wealthy part of Las Vegas. Driving around, I've seen a Ferrari, a Lotus, a Viper, and a Lamborghini.

My 13-year-old car and I will have to keep looking for another job.

§

Last Friday, I grabbed my cell phone and went to work, when I realized in the dark I'd grabbed a deck of cards instead.

Though I'm given a work cell to use for the courier job during the day, I was without my own cell and phone numbers, and didn't find out that Pauly had gone to the emergency room until I got home. Felt bad I wasn't there for him, and also felt bad I was working for the first time when the entire last year I had all the time in the world to take him to the hospital.

I finished all my pickups and deliveries early, and Carla called wanting to play some poker.

We stopped at Harrah's, where I sat in a 3/6 full kill and played a drunk on my right who raised every hand without looking at his cards. If someone raised, he'd reraise. Frequently pots were multi-handed and capped preflop. Carla was in NL, and I told her the 3/6 was probably more profitable.

We both lost (me $20, her $200) and then headed to Monte Carlo. I'd planned to just sweat her and watch how she played. She's still been running bad, but then I hear certain hands she lost and have to question why she played things like A2s UTG. Sometimes she recollects the hands inaccurately, saying she flopped a flush draw with 3-3-2 on the flop.

I walk a fine line here, because it's hitting her when she's down and she takes it a little personally when I go too into how she played a hand and how she could've played it (or not played it at all, like A2s).

When I got to Monte Carlo, she was already seated and there was an open seat at the NL. I decided to sit and play tight with $100 (max. buy-in is $200). I was mostly there to watch how she played. This was the first time in awhile that we've been at the same table again.

For a good half hour, she hit a huge rush of cards, including set-over-set-over-set on the flop (with poor me holding bottom set). Later she played Q6o to a $15 preflop raise, which got her into trouble when the flop brought her KQ6, and the turn gave a Queen. She checked, the raiser checked, and another guy bet $20. Carla now raised to $100, and the raiser went all-in, for another $300 or so. The original bettor accidentally folded KJ face-up, and seeing the King was out, she called. The preflop raiser had KK. (Based on how he played, I would've put him on KQ... an hour later, Carla had all his chips when she called his $15 preflop raise with J9 and flopped two 9s vs. his KK, which he raised all-in on the flop.)

I don't begrudge her or anyone for playing any hand in no-limit, but Q6o for a raise is as loose a call as any, and a hand that can get you into much more trouble than the rare times you flop a monster. No matter how loose I'm playing or how up I am, I barely even play Q6o from an unraised small blind.

Me, most of my hands didn't go to showdown. I lost a big pot to Carla with that bottom set, but after I rebought $100, I didn't look back.

With the second $100, I tried wielding it as if we were shorthanded in a tournament. One hand I held 78o to multi-limpers in late position, and the flop was 5-6-8 (rainbow). Someone early bet $15 with four callers, and I pushed.

This changes a bit from how I might've played this a couple years ago, which would be to call the $15 and see one more card. But if that card were a 7? Or another suited card? Or an overcard? I figured the pot was big enough that the move was worth a try, and luckily everyone folded.

A couple times I raised big preflop in late position with limpers or a small raise. Each time it was enough to take it uncontested.

Another big hand was with AKs. I raise to $12 preflop and have two callers, one in front and one behind.

Flop is Jxx (rainbow). Checks to me. Normally I bet here hoping to get heads-up or take it, but I decided to try something different and play the turn.

Turn is K. Checks to me, and I throw out a few chips. Another move I now use (which I copied from a tough player at Excalibur playing 2/6 spread limit, of all things) is to toss out a mess of chips without counting. This is when either betting or raising. Playing this way tends to annoy people. It also makes people think you're trying to buy the pot. In this case, the chips I threw out turned out to be $25. And I did want that call, and I got heads-up with the guy after me.

River is blank. Normally I bet again, but since I'd already played the hand differently, I decided to check and call whatever he bet.

As soon as I check, my opponent pushes in his stack.

I didn't expect this and had to think. He had a baseball cap pulled down over his eyes, and when I looked at him, he didn't return the look. His hands were completely still.

Normally I'd fold. The pot wasn't worth it. If it were online, I'd fold instantly. The longer I took to think, the worse I was going to be, because the danger is that I'd end up talking myself into calling.

But I needed more time.

I ask the dealer to count down the chips. I already knew how much he'd put out there, but I wanted the extra seconds to figure out what to do.

I glance at the guy again.

I think back to how he played a previous hand, and I remembered he'd pushed $45 preflop with A4o vs. Carla's AK, and AK won. But that was preflop.

The dealer announces, "Eighty-one dollars."

I count out $81 of my chips, processing each second.

I look at the board and think it's possible I could be dead to two pair. But if he really had something, wouldn't he have bet smaller to get a call? If he had something on the turn, wouldn't he have raised? If he had something on the flop, wouldn't he have bet? Why make a big move on the river... unless....

My eyes go to his cap again and I see his eyes briefly look up at me and then look back down.

At that moment, I could feel he was stone cold bluffing. I didn't think he even had a pair.

I immediately put him on Q-10. The flop didn't help, the turn gave him a strong enough draw to call my bet, but the river busted that.

I call.

He looks up at me, shakes his head, and says, "Good call."

He doesn't flip his cards, and I save him the embarrassment by flipping mine first. He then mucks his cards, gets up, and leaves.

People around the table said, "Wow, good call." And humility aside, I accept the pats on the back, thinking that finally, I read someone right and they didn't suck out on me.

By the time I cashed out, I was up $500. Carla was up around $400 and stayed a couple more hours. I spoke to her later and she said a couple fish sat down and couldn't win a hand against her. She ended up $1100.

I asked to analyze some of her hands like we usually do her losing hands, but she didn't remember them. Which is too bad, because I like discussing winning as well as losing hands. A winning hand can still be a losing hand if you didn't maximize that win.

I'm hoping that her bad streak has ended but also that the hands she won she wasn't just hitting cards. Because it's easy to win with set-over-set-over-set but another thing to win with complete bluffs. And that's something I still need to work on.

Monday, April 03, 2006

A Playboy bunny for Easter

Miss July 2002 Playboy Playmate Lauren Anderson came in to the radio station (don't click the picture link unless you want to get in trouble viewing a nekkid photo) to promote her new show at Stardust (their final show before being imploded for Boyd's new Echelon), and I was introduced to her.

Being a longtime Playboy subscriber, I well remember her pictorial. I didn't recognize her in person, but if she were wearing her Catholic schoolgirl outfit instead of jeans, I just might have.

I don't get star-struck, but I do get weak-kneed in the presence of a pretty woman, much less a Playboy bunny whom I did unmentionable things to in the July 2002 issue.

It's obvious the models are heavily air-brushed. Just seeing the porn stars from the AVN convention last year compared to their headshots, I wouldn't recognize them.

But no doubt about it, Miss July is still gorgeous.

The station also had one of the actors from "The Sopranos" call in, as well as Cal Ripken.

Gave away tickets to Queen and Paul Rodgers, plus restaurant and movie gift certificates. Certain callers are so trained to the times the station gives away prizes, that before it's even announced on-air, the phone bank lights up. They call them "prize pigs" and are a culture themselves, mass-calling all radio stations trying to win. A few times a week, we'll have the same winner. They no longer announce the name on the air because listeners would be suspicious hearing the same name.

I also delivered pizza to a lucky listener on East Sahara. He was completely surprised and happy, and I played up my excitement and congratualtions. It was six pizzas, breadsticks, and salad from Sammy's Woodfired Pizza, and the rest of the day my car smelled of pizza.

My favorite thing to do seems to be giving away prizes. I almost get as much satisfaction in giving things away as collecting the prizes themselves (as my closet filled with crappy casino gifts will attest).

I have a feeling they're grooming me to be producer, since the current one is leaving to work in promotions. They'll either hire someone else, leave it to one of the personalities to do the extra work, or have me do it.

We're both giving it one more week to see how things go. When they asked what I thought of it so far, I said it's like alternating between running a 50-yard-dash and then sitting out in the bleachers. There can be a few minutes of downtime, then the next moment you're doing a hundred things at once.

It's been awhile since I've had any Red Bull, but I'm now back on it.

§

Last night, Pauly and I went to Buffalo Wild Wings for dinner. At the end of the meal, we had some hot sauce left and he dared me our biggest prop bet yet -- $10 to down the rest of it shot-style. If it were $1, I would've thought about it. For $10, I didn't hesitate and even licked the cup before slamming it down. Though I spilled some of it on my shirt, which will probably cost $10 in dry cleaning, thus evening out my prop bet karma.

§

A few weeks ago, a friend withdrew everything from his online accounts except $100. He'd previously run a $50 deposit up to what would've been five figures (over the span of a couple years) if he hadn't kept withdrawing.

I suggested a $100 Challenge -- we each start with $100 and whoever builds it the most would win something.

Alas, March 1st's bills and a succession of ugly no-limit beats prevented me from going forward with the challenge, but I still hope to reinitiate someday.

In the meantime, I had $50 in my FullTilt account and had been dutifully playing microlimits. Began with .25/.5 NL, a few small SnGs, then did 6max 1/2 and 2/4 limit, then tiptoed into 3/6.

In nine days, I ran that $50 up to $500. When Pauly arrived, he suggested I withdraw. I took out $300 and ran the remaining $200 up another $100.

Then a combination of bad beats and loose play happened in 3/6 6max and 1/2 NL, and in two days I lost the rest.

Now my account is $0 with $300 more of my bonus uncleared.

I received another credit card in the mail with a $2000 limit, which saves me through May if I need it.

I hope to return to FullTilt for at least as long as it takes to clear the remaining bonus. Cross fingers I can rebuild again from $50.