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Thursday, June 29, 2006

Sweatin' to the slots

I'm not a sweaty guy.

That is, not till Vegas.

My father was the sweaty one in the family, with friends-in-the-know cowering from his handshakes because his hands often dripped from sweat. When he'd put his arm around us kids, he'd leave a palm print on our t-shirts.

I've been relucant to mention the desert heat because I wanted to save my whining for when it really gets hot (106 degrees is such a difference from 116), but I'm constantly amazed at how fast my back is willing to sweat up. If I were a superhero, I'd have supersweat.

The unlikeliest of glands that don't normally get sweat workouts also step up to the sweat plate: wrists, ankles, and my ass.

"Sweating out my ass" is literal for me, as I sweat so much that not only is my underwear soaked, but so is the wallet I've been sitting on, right down to the bills inside. I had a slot ticket voucher that was so damp it looked like it came out of the washing machine. If I didn't wear underwear, people would think I were incontinent.

I remember when I was at a Palace Station Millioniser slot machine and sat in someone's urine. Twice more (Hooters and Luxor) I sat in something damp but didn't check the source for fear this slot urine was somehow seeking me out.

I chocked it up to being people who had just been at the pool.

But maybe they were sweating out their ass.

§

More than you probably wanted to know, but did you really want to read about poker?

Got off early from work to play the Caesars Palace $10,000 freeroll.

All the good dealers are probably at the WSOP, because we had one of the slowest dealers I've seen. Think Tim Conway as the old guy on "The Carol Burnett Show." It'd be one thing if he was slow, deliberate, and correct, but he was just slow. Even when he pushed pots to the wrong person, he was slow.

He didn't so much scramble the cards, he just put his fingers down on the pile and wiggled them in place to simulate shuffling.

I had to correct him a couple times on a single blind when the big blind busted, even though it would've been to my advantage to not say anything.

Every little thing distracted him. When the floor announced higher blinds, the dealer was in the middle of shuffling. His head cocked like a dog's, and he stopped shuffling and re-scrambled and re-shuffled. I tried to tell him that he'd already started, but he insisted he was correct, Mrs. Wiggins.

In the first 20-minute round at our table, we had two bustouts and played seven hands. Even in 10-minute rounds online, we get in twice as many.

One player complained at the slowness of the dealer and called over the floor to ask if we could change dealers. Another player said, "What do you expect for free?" Not one to hear too much white noise at a table, particularly from a player who was slowing down the game herself by complaining about the slow dealer, I chimed in, "Do you complain when your slot machine isn't spinning fast enough?"

This is an invite-only freeroll that Harrah's holds every month for Diamond members. Many of the players aren't poker players but heavy slot players.

Players start with T1500 chips with blinds at T25/T50 that double every 20 minutes.

Limited to 100 players total, the remaining two people from each table combine into a two-table freezeout, with 1st place getting $2500, 2nd place $500, and 3rd through 10th each getting $250.

Me, I was out in an hour when we were down to four on the first table.

I bluffed one pot, won another, and won an all-in with AQo. A woman called with K9 and hit her flop of 10-J-Q, and I runnered a one-card flush.

Then the next hand tried an all-in move with JQs but a guy who limped with A10o called. I should've waited for the rag flop. Heck, I should've been making Kill Phil moves from the beginning, if not to get out of the agony.

Tuesday, June 27, 2006

"Come Sail Away" (to Mexico)

Recently, three local Blockbusters closed, including the one across the street from me. One of the reasons for moving where I did was to have a Blockbuster not just in walking but crawling distance. You know, just in case.

Now that it's gone, I've been using the Blockbuster near work in Summerlin, where I time my visits to avoid a Tarantino film geek who recommends things like Mindhunters ("Christian Slater is awesome").

It isn't so bad, and the weekly coupons I get from the online subscription get more use than the online account (no late fees = no incentive to return).

Anyway, here's a coupon to rent any movie for 99 cents (expires July 4th). One per account, so no bright ideas.

And while couponing, this $1 off 2-liter Coke products at Target (not just Super Target) can actually be printed multiple times and used at the same time. That is, until it gets abused and corporate puts their foot down and says one per customer.



§

Only 720 people played enough hands last month to qualify for Full Tilt's $200K freeroll, which awarded the top 20 finishers a $10,000 seat to the main event.

I had a free pass to the seminar by Phil Gordon and Andy Bloch, which was going on simultaneously on West Sahara. If only one or two seats were awarded, I would've skipped it. But 20 seats and a 1 out of 36 shot (and probably even better odds with the no-shows)?

Had to go for it.

Napped too long and was a Hellmuthish 50 minutes late sitting down to the table. Stayed average chips throughout, and never more till the end.

Final hand -- I was shortest stack at the table and big blind with 99. Planned to push until UTG raised 3x (not including antes). If it were 4x, it would've put me in anyway. Because he was UTG with his raise, I considered folding. But I couldn't wait for a hand, needed chips, and figured I could be a coin flip to AK or AQ.

Nope, UTG had KK and I was out as fast as Kevin Spacey in London parks at 97th.

Even if cash were awarded, 97th wouldn't have paid anything either.

I could've folded another three rounds, but I wouldn't have been in any position to be threatening with less than a 10x bet, much less a 4x bet.

The tourney lasted another hour before everyone began stalling. Watched Quiet Lion almost get knocked out before outlasting to one of the top 20, though I think he probably already has a seat.

The stalling put two bubble people all-in. One went out first, and had the second one won his blinded hand, he would've been the one to bubble. But as it was, he had a few more chips than the second guy and barely squeaked in.

That's the good and the bad about stalling. I wasn't a fan of it before, but can see use for it online, particularly with 10-minute rounds. Even in a hand-for-hand situation, the delay increases the blinds and antes for everyone. If you can get past the blinds and are shortstacked with enough to outlast the antes, those extra eight hands can make a difference. And if shorter stacks ahead of you will be brought in by the blinds and it's on the bubble, that's the time to fold anything preflop. Even pocket Aces.

§

After the tourney, ran to Mandalay Bay where Styx was setting up to perform at the Beach. A great venue with some 3000 people standing around on the sand and wading in the wave pool, but I can't see how the lights and band equipment can be so close to the water. Once they stop the concerts, we'll know why.

I was there for the station, getting a guitar and drumhead signed by the band members. We try to do these often, either setting up meet-and-greets with fans, or getting things signed ourselves. These items were going to an auction for MDA. I joked that they were really going to E-B-A-Y.

One bad thing about my being at a classic rock station: I know the songs, but I don't know the artists. Especially bands like Styx which only has a couple original members.

It's this ignorance that helps my not getting starstruck. If I don't know who they are, I don't have a chance to feel intimidated.

Luckily, the tour manager introduced me to each of them as they arrived. At the Beach and 100+ degree heat, there's no dressing room, so the band understandably stayed in their hotels until the last minute. (Martina McBride, who also performed at the casino, had dressing rooms the size of small cottages.)

All six band members signed my objects along with two t-shirts from a 66-year-old woman who still sees all their shows. I shook each of their hands, made small talk, wished them a good show, and still have no idea who they are.

I didn't stay for the show, taking the guitar and drumhead back to my car for safekeeping, narrowly avoiding a drunk guy who vomited in the parking garage. And that would be vomit in a hot parking garage.

On the way home, I had the fleeting thought that I could probably sell the autographed things for $2000 and run off to Mexico.

This weekend is the Pink concert. Maybe she'll go for more.

Monday, June 19, 2006

Two slots that pass in the night



EepyBird's Bellagio Fountains re-creation using Diet Coke and Mentos is worth a look. Turn up your sound to hear it coordinated to music.

While checking out links, the hilarious bunnies are back, this time with a 30-second parody of Superman.

Came in 439th in PokerStars' blogger tourney of 2200-some. I was below average and re-raised all-in with 88. Guy UTG who had min-raised called with JJ. People were playing so tight, I should've realized he had something big. Oh well. Thanks to Stars for putting on the second annual freeroll.

I didn't recognize anyone in the top 10 except for StudioGlyphic, who won a $1500 seat to the WSOP event of his choice. Congrats, Glyph! Make us poker bloggers proud.

Played two other freerolls last weekend, beginning with the Station Casinos' $300,000 crapshoot. I say that, because everyone begins with T500 chips and rounds switch between limit Hold'em, limit Omaha, limit Hold'em, no-limit Hold'em, and no-limit Omaha. I don't know what comes after, because it was in the NL Omaha round that I went out, with KKQ7 (KQ suited). The flop was rags but with two of my suit, and I pushed but was called with someone who had AAxx, also with two of that suit, and the river flushed. Going into that round, no one at the table was more than 7x the blinds and three people were so shortstacked that they were going in no matter what, so it was constantly difficult getting anyone to fold.

Nothing has changed from last year's $250,000 freeroll. Any angle-shooters will easily pick up how simple it is to chip dump in this tournament. And in this tournament, where the chip leaders after the first day split $6000, it's significant.

You're assigned a table and seat, but if you arrive late, your seat may be taken by someone else.

So they tell you to just find another seat.

That means a team could arrive late and all sit together at a table containing a few empty seats.

No one is carded or asked for I.D. until after the tournament (where all players busting out receive $50, a hat, and a t-shirt). The team could dump chips to the one player who legitimately earned a seat into the freeroll by playing 50 hours.

In addition, chips are not accounted for. When coloring from red to green or green to black, they're all just thrown in a cardboard box carried around by the floorperson. Very easy again for the team to palm a few black chips and either hand off to their player, or just keep and sneak into the next freeroll tourney.

No cameras (that I could see), either -- the freeroll takes place in one big ballroom at Texas Station. And it's such a madhouse with at least 72 tables running, that no one is paying much attention.

I doubt anything will be done in time for the next tourney, which will be $500,000. The fast blind structure and low starting chips says that Station is only concerned with getting the tourney over with as fast as possible.

After the tourney, I raced home to play in the Iron Man FullTilt freeroll, where I busted in the first hour with KK vs. 99. We had our chips in preflop, and the flop gave a 9. I probably would've gone in on that rag flop anyway, so I was out either way. Just darn luck.

Two more freerolls coming up -- a FullTilt WSOP this Saturday, and a $10,000 freeroll next Tuesday at Caesars Palace.

§

Had to pick up something at an advertising agency on Warm Springs Rd., which has very cool front doors that look like doors entering either a gourmet kitchen or a submarine.

I get to see the insides of many PR firms, media places, and casino offices. This one was the best, and I would've asked for a tour of their studio if not for being on a schedule.

The worst is probably the WB television station, because when you approach the front door there's a loud click that the receptionist hits to unlock the door. It sounds like someone cocking a gun and I always jump, when you'd think I'd be used to it by now (the door, not the sound of a gun). But I'm torn, because the receptionist is gorgeous.

Across the street is the building to Aristrocrat, creators of the Mr. Cashman and Li'l Lucy slot machine series.

I considered dropping in just to check out their lobby and be this close to Cashman greatness, but all the real work is probably done at their Australia headquarters, a trip I could have afforded a few times over with all the pennies I've "invested" in their slot machines.

I don't know who started the penny slots, but what a great marketing gimmick. Lure players in with the promise of playing for a penny a pull. Little do they know they can play a maximum of 500 pennies per pull, and that they need to in order to hit anything of decent payout.

At the Station Casinos, when their Jumbo Jackpot pushes past $143,000, it might be +EV to play a penny a pull. Not only do you stand a good shot at getting the $50 of freeplay that everyone receives when the jumbo hits (which it has to by $150,000), but you can also still get free drinks.

On Saturday, I played what will definitely be my last hand of live poker for awhile. After a balls-wrenching beat of reraising all-in preflop with QQ, getting called with 77, and one of his lucky 7s making a one-card straight, I took comfort in doing a slot run around Sunset Station.

The trip was to pick up the free gift of sliding robots (coasters which make furniture easier to move) and take in the dinner buffet, which has been discounted to $10.99 from the normal $14.99. At only $2 more than the buffet lunch, it's a bargain.

As part of the CineVegas film festival, I caught a documentary on Vegas buffets that explained where all the leftover food goes at the end of the day -- and that would be local pig farms. All the wet food is carted off in huge waste management trucks and shoveled onto conveyor belts, which is then slopped into troughs for the enjoyment of the pigs.

Which also means that with the tossed pork products, the pigs are cannibals (hogibals?). Pork, bacon, ham... how can one animal be responsible for one delicious food after another? Now we know.

Oddly enough, this didn't turn me off buffets like it did the majority of the audience. I did, however, avoid the linguini and went with the bowtie pasta. Seeing spaghetti strands dripping out of the pigs' mouths was a bit much.

My slot tour began with the Zorro (also Aristrocrat) bank near the buffet. The top progressive is capped at $50,000, but the one beneath that was at a high of $1200. I don't know what this resets to, but I've seen it below $300, so it seemed worth trying for.

Next stop was the bank of Monopoly machines, where the Mrs. Monopoly progressive was at $750. This one resets to $500. Woman to my left was playing $2.00 a pull, woman to my right was playing $.50. I stuck with $.50 and $.75. I prefer All in the Cards to the Own It All game, because in the latter you can hit Go to Jail (vs. Get Out of Jail Free) and end the bonus. All in the Cards doesn't end prematurely.

The woman to my right hit the three dogs and when she went into her picks, she was started with a 500 card. Pretty big card at 10x her initial bet. She then hit a 5x card, which the dog placed on 500, for $25.

Then it was my turn, and the same thing happened on a 50 cent pull. I ended the free spins with 13 free picks and entered with 500 (I'm guessing the starter card is anywhere from 1x to 10x your bet... in all the times I've played this, this was the first time I've gotten 10x). Then hitting the 5x, the dog (good dog!) put the Frisbee on the 500. When all was said and done, that bonus netted me $55.80.

Played Cafe Mula again and finally hit the bonus round, which lets you pick and match drinks. With each drink, you get to choose a topping that gives you numbers, and then choose a stirrer, which mixes up those numbers. Your final bonus for that drink might then be 610, 106, or 061. Didn't get the Frenzy Bonus, though not for lack of trying.

Onto Gold Fish, which I believe I've gone through all the possible bonuses and it's time to move on. Its random bonuses come up often enough to keep playing, but the bonuses don't award that much. The Fish Food bonus is fun, but when you hit three turtles on your first three picks (which ends the fish food selection), you get zero. I'd like to see a bonus round award a consolation prize; it takes more skill to hit three losers than three winners!

Back to Zorro, the progressive of which was still climbing and due to hit. I like the barrel bonus (I select 15 free spins at 2x, 3x, or 4x), but so many times the spins have ended with me getting absolutely nothing. Zorro is really only good for its Zorro bonus.

Moved to Lucky Lemmings, where I finally hit the bonus round. Ultra-cute, this game is utterly charming with the bonus reminding me of the penguin-throwing Java applet with the Yeti. I played it enough to hit the bonus a few times, and I think it's the first game I've seen where the wild card substitutes for the bonus. Once in the bonus, you choose an egg that hatches a number of lemmings. Each time I went into the bonus, I selected either the middle or top number of lemmings, which makes me think that maybe the bottom number isn't actually one of the options (but it makes you think you could've selected something smaller). This takes you to the bonus screen, where each lemming takes turns leaping off the ledge, bouncing off a walrus's belly, and shooting into a cave where points are awarded.

Sometimes the lemming bounces more than once off the walrus, which multiplies the points awarded per each bounce (I made it to 3x once).

And sometimes the lemming misses the walrus and falls into the water or bounces off the wall and is swallowed by a whale, which takes you into the whale bonus where you select other objects the whale's swallowed until you hit Collect.

A lemming stampede will bring about multiple lemmings bouncing around and into caves.

Lemmings can also bounce into two chests -- one dons the lemming in a jetpack and flies him into space for the jetpack bonus (pick one of three satellites to get points) and another presumably goes into a scuba bonus, which I never reached.

The lemmings can bounce off walls or just miss the ledge and fall into the cave below or beside the current one. Or they can crawl into their original cave.

It's all very fun, and the entire bonus incorporates all the characters from the regular spins.

From Lemmings, I went to Hot Hot Penny, which was Cold Cold Cold. Passed by Zorro and saw that the penultimate progressive had been hit. Mrs. Monopoly still hadn't, though.

Played Millioniser's Sun & Moon, the Geisha one, African Dusk, and the horseracing one with the girl. Woman to my left sits down, plays $2, and hits the free spins immediately. Then gets free spins within her free spins, and ends her bonus at $250. I lose about $150 and when I leave she's at $200.

Mr. Cashman's Betting Zoo results in nothing, and I briefly sit at Jewel of the Enchantress when an older woman sits next to me and begins rubbing her hands all over the machine in some sort of good luck ritual. This disturbed me enough to move to another Enchantress machine. Good move, because I hit for $150 on a $1.25 pull.

Walking toward the garage, I can't resist a final bank of Mr. Cashman in front of Panda Express. It's Arctic Wins, which I think is mostly break even out of all the Cashman games.

I'm about to cash out, when a pretty girl in her early 20s sits to my left at African Dusk. She isn't a hooker, because Sunset Station is local and the hookers are on the Strip. Unless she's a hooker gettting ready to head to the Strip.

The air conditioning blows her perfume my way, and I rethink leaving.

She's on a lucky streak, beginning with $20 and getting enough rhinos that now she's up to $50, all unwavering from 50-cent pulls. Me, I switch between $.50 and $1.25 with the occasional $2.50.

She also hits Mr. Cashman far more than she should (it normally pops up every 30-40 cycles). I counted mine and I went 100 spins before Cashman woke up.

Then another attractive girl sits to my right at the Jail Bird machine.

Well, I'm not going anywhere now.

And I'm thinking, casinos should hire attractive women to gamble and make men stay longer than they should, or bet more than they normally would in some kind of psychological wager size prowess. Who knows, maybe they already do.

The Jail Bird girl lasts 10 minutes before busting.

The African Dusk girl is still going. She doesn't seem concerned at the time, nor does she check her cell phone, so she isn't waiting for anyone. A pretty girl playing slots not to pass the time but for the sake of the game? And on a Saturday night? Unheard of.

I steal glances at her. She's playing without a player's card, so she can't be that hardcore. There's no wedding ring, either. I notice she doesn't look at my machine when I hit the bonus, so the curiosity is not mutual.

She lights up a Marlboro Light whenever going into a long bonus (40 free spins) or when hitting something big. Like smoking after sex, I'm thinking, lost in my own fantasy. She goes through three cigarettes in 15 minutes, but the smoke doesn't bother me. She blows the smoke courteously to her left.

Her voice is pleasant and melodic when ordering a coffee and Bailey's. Not hardened and annoyed like some, but then, would she sound the same if she were losing?

Would I want to date a gambler? My double-standard is a steadfast no.

Ninety minutes later, she's still hovering at $50 (+$30), and I've gone through $140 (-$140).

I consider speaking to her, but now I feel like a loser, going through all my credits. Ninety minutes is a long time to milk $140, the price of spending time with the mystery woman. And that's without sex, without drinks, without dinner and a movie.

I consider inserting another $100 to try again.

But I know my luck. I break and leave first, never once saying a word to my slotmate.

When I walk away, I don't turn back.

Thursday, June 15, 2006

Phoning priests

Last night I broke my streak of 14 straight days of buffets by going to Taco Bell: Nachos Supreme and Chicken Chalupa, all for $3.75 including tax.

I didn't start out eating the buffets intending to set my personal best, it's just that I can eat for free using points. And I have so many points at different casinos that I could eat a buffet the next 50 days in a row. I'll have to check Guinness to see if there's a record.

When buffeting, that meal becomes my only one for the day. But sometimes I've been known to take in two buffets in one day. I could do three, but they'd have to be at different casinos.

Speaking of streaks, I failed miserably in giving up gambling and playing poker for the month of June. In fact, I played every day.

What's the saying? "Once is too much, a thousand times is not enough." So true. Gambling as well as buffets.

ยง

"The Osmonds" was the answer to the mystery artist, and the song was "Crazy Horses," sounding somewhat Metallica from the early '70s. Clearly ahead of their time, those boys. Send me your address, D.S., you get the free Fatburger combo!

Donny Osmond called in to promote his show at The Orleans last week. We've had him on the air in the past before I was there, but I remember him on Howard Stern, and he's always a good interview.

They didn't go for the mystery song angle, but they did use other suggestions I made.

When I was a kid sitting around the dinner table, I remember trying to top my father with jokes I'd heard at school. Fond memories, but really probably seeking desperate approval by whether he laughed.

The radio show is similar. Much of it is throwing things out there and seeing what sticks. I feed in ideas, topics, and bits. The ones they don't care for, they just ignore. The ones they like, they just do.

And when they like something, there're no congratulatory pats on the backs or high-fives or thank-yous, they just do it and move on.

It's great being paid to be creative. But the kind of writing that pays the most is still ransom notes (Elmore Leonard, while I'm in a quoting mood).

On Monday, I had two segments in our coveted 7 o'clock hour that I thought went over well, but then come 8 o'clock it's just a memory and you have to come up with something else. Constantly you feel like you're being told by the listener, "Dance, monkey, dance!"

Radio can be very unforgiving.

Not only can you have a bit that just kills one moment with people calling in saying how much they liked it, but the next segment (or even the same segment), you can have people call up and say "you're stupid" or "you suck" or "I hate your show."

What other workplace gets this kind of feedback?

Do priests get phone calls that say, "you're stupid" and "you suck" and "I hate your religion"?

Wednesday, June 07, 2006

The Devil made me do it

For 6/6/06 we interviewed the Devil in-studio. They'd already prepared questions and answers but asked if I might think of anything else.

A couple of theirs that I enjoyed:
Q: Should we be nervous about today?
A: Naw, it's kinda like my version of Cinco de Mayo.

Q: Do you talk to God?
A: We text each other, holiday cards.

My lame contributions that made it on-air:
If you and Superman were in a fight, who would win?

How's Miss Jones?

Have you ever worn a blue dress?

What do you think of Georgia? (with the answer being a play on the word "down," as in, the Devil's never actually been down to Georgia... inferring that he's gone down on... trying to straddle decency lines, but it's so convoluted that I don't think anyone got it anyway)

What didn't make it were the goofier things ("it's an Omen!") and the childish Devil/sin puns.

This didn't make it:
Q: How do you play 666 from early position?

Ah, just kidding. Here's the real one that didn't make it:
Q: What do you think about the new Maxim hotel-casino coming to Vegas?
A: I'm partial to Details magazine. The Devil's in the Details.

Yeah, yeah, groan all you want. But you try coming up with Devil jokes in the span of 15 minutes.

The show now starts right at 5 a.m., but I still don't need to be there until 5:30-5:40, when we first open the phones. I time my commute not by the clock but by the radio. If they're in sports by the time I get to Las Vegas Blvd./I-215, I'm in good shape. But if they then go directly to music (vs. commercial), I have three less minutes to get to the office. When running late, never before have I been so thankful to hear "Stairway to Heaven" or "The Wreck of the Edmund Fitzgerald" (though playing either usually means we cut out another song).

I also now have a key to the building, so I no longer have to press my nose up to the glass asking to be let in.

Each morning we start the day with an early-morning poll contest, with the winner receiving tickets to a concert or something.

As hacky as it is, I thought it might be fun to pull clips from a song and make it the subject of one of our polls. Since I've been there, I haven't heard them do a mystery song, so we'll see what the hosts think about the idea.

In the meantime I thought I'd have a pokergrub contest of my own with the clips to reward you for reading this far into a non-poker post.

The first person to correctly guess the artist will win... a free haircut at SportsClips and a free burger/fries/soda at Fatburger! Ooooh, aaahhh. (Hey, I'm no radio station so this is all the swag you're gonna get.) If you don't have a SportsClips or Fatburger in your area, you can eat the coupons.

Here's clip #1 (8 seconds long) and clip #2 (15 seconds long).

Please don't cheat and Google the lyrics! That wouldn't be fair.

Click here and scroll down to enter your guess in the comments section (feel free to enter a Devil q&a and show how funny you can be). I'll announce the winner on Friday. In the odd event no one guesses correctly, I'll pick one of the responses at random.

Tuesday, June 06, 2006

Penny for your Cashman

Happy 6-6-06.

Five days into the month, I've been unable to stay true to my promise of temporarily giving up any kind of wagering. My abstinence goal for the month of June barely lasted past June 1st.

This is why I don't do drugs; I could never stop.

I made the mistake of telling the former morning show producer that I play poker. Or rather, I made the mistake telling him exact amounts when he's asked me. I can lie and bluff at the poker table, but I'm unable to fib in real life. Rather than say "I broke even" like Daniel Negreanu used to do whenever his mother asked, I tell the truth and he's shocked. Mostly because he knows how little I make at the station and is wondering where the money comes from. Credit cards and rent, I don't tell him.

What I need to do is focus on the good players and stay out of the bad players' way because I can't beat them at their luck game. It's not even that I bluff or semi-bluff bad players, because I know I can't. I just get continually drawn out by them, and it's unbelievably frustrating.

I need to bet less when I feel someone's on a draw. This goes completely contrary to what they say about pricing players out of their draws, but in 1/2 no-limit, you cannot shake people off flopped flush draws. I've bet or raised significantly on the flop and turn, and they'll still call, making it no different from limit. If another card's a-comin', they're in. The preflop raise rarely matters either, because they just want to see what the flop is. I've heard players say they'll call any amount preflop with any pocket pair.

At Red Rock, I lost to flush draws three hands in a row. Unfortunately, I picked up AK, QQ, and AK those three times in a row (with the first AK, I raised $15 and had 62s call; with QQ, I raised $25 preflop, announced "steam raise," and A4s called; it's too bad with AK that I hit the flop both times).

Normally this is all terrific. To have players call that much preflop and then continually call is fantastic and shows the game is still good. But if odds aren't going your way...

So disgruntled with poker, let's talk slots -- specifically, Mr. Cashman and a disturbing trend for my favorite series.

Aristocrat has reconfigured some of the machines into console/desktop types. (There's surely a technical term, but that works for me.)

These machines are more comfortable to those in wheelchairs, but less comfortable for me because I have to look down on it and there's no place to put my legs, instead letting them dangle.

At Red Rock, it's fine because the leather chairs are comfortable and adjustable. At Boulder Station, it's barely worth playing.

The big innvoation I think Wynn did (other than the linked progressive Bingo) was to add footrests to some of their slot stands. I like to slouch when I play, and I rest my feet on the empty coin bin or on either side of the machine. At Wynn, I'm able to stick my feet into a space carved within the slot shelf. I haven't seen any other casino pick up on this, so I have to think it's unique to Wynn.

Buttons are closer together, and hence, easier to mistakenly press a higher denomination button. Twice when first sitting down I accidentally pressed the max ($5) button. They probably designed the close buttons to assist those who have difficulty moving their hands back and forth. That there's the possibility of accidentally hitting a $5 pull is just a casualty.

Because the console isn't slanted, cigarette ashes don't fall to the ground and collect around the buttons. These consoles also attract many ashtrays and drink glasses.

At least they didn't add the ridiculous design that some machines have of including a coin slot tray (all new machines use tickets and no longer use coins) and spitting out the ticket in that coin slot. Those slots just become trash bins and made tickets difficult to find.

Audio is louder (getting the bonus is startling), with visible speakers pointed at the player. If they went to the trouble of two speakers, why not make them surround sound? Some of the bass is more distinct, and I can make out more of the music.

But the biggest change is the strangest one: they're de-emphasizing Mr. Cashman.

On the upright machines, the Mr. Cashman (and Lil' Lucy) sign displays above in blinking Broadway marquee lights. Mr. Cashman is easily seen as a sprightly gold coin fellow, with top hat and white gloves. Classy and happy, just the look of him dancing makes you smile.

You can spot these machines from across the crowded casino floor. Under the Cashman sign at eye-level is another Mr. Cashman logo, which boldly proclaims what you're playing and what bonuses are offered. The bottom of the machine states what game you're actually playing (Jewel of the Enchantress, African Dusk, Louie's Gold, Panda Pays, Arctic Wins, Jailbird, Betting Zoo, and my least favorite -- Magic Eyes, because it's creepy).

With the new consoles, the type of game is at the forefront, with new graphics and a significant downplaying of it being a Mr. Cashman slot. It's unnoticeable enough that you can walk by and glance at the machine without thinking it's a Mr. Cashman.

And for players like me who seek out these machines, this is a mistake.

So I have to think that there's a reason Aristocrat is shifting away from the brand, but I can't think of a reason why, with the series likely being an utter Mr. Cashcow for them.

Maybe by focusing on the type of game makes it appear a newer game. I wouldn't think most people realize what game they're playing, they just think they're playing a Mr. Cashman.

Or maybe they're getting ready to port over some of their other games (games I rarely play, like Peacock Magic or Road Trip or Love & War) under the Mr. Cashman upright umbrella. This is something I don't know why they haven't done sooner. With some exceptions, the games under Mr. Cashman (since 2002) basically use the same engine with different icons, how difficult would it be to move over their newer games and get more play out of them once they're part of Mr. Cashman?

By hiding the Mr. Cashmans, do they want more people playing Zorro (which I like) or their new bullfighting progressive (which I don't)? Isn't their a danger that loyal Cashman followers wouldn't follow Aristocrat and instead discover another favorite game by a competitor?

It could also be that the consoles are simply cheaper than the uprights.

I haven't seen this change yet for Lil' Lucy, but it can't be far behind.

I think it's a bad move for ol' Cashman, and if they check their numbers, I believe Aristocrat will see lower play for these consoles than the upright machines.

But who am I to say? I'm just a bad poker player.

Friday, June 02, 2006

Parking lot hero

Don't forget to grab a free doughnut of your choice today at your local Krispy Kreme!

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At Albertsons, I picked up four 12-packs of Diet Coke (on sale for only $2 each and no sales tax), loaded my car, and sat for a bit surreptitiously ogling a cute girl in short shorts as she entered her car.

She had neglected to wheel her cart to the return area, and I watched the cart as it slowly began rolling toward another car, with a woman inside talking on her cell.

This happened directly in front of me; I could've leapt out of my car and stopped the runaway cart. I could've yelled "look out!" or "fore!"

I could've been a parking lot hero.

Instead, I did nothing. I watched the events unfold like I was watching a movie. And admittedly, I watched with some degree of bemused glee, almost wanting the cart to hit the car.

The cart picked up a tiny bit of momentum and gave an anti-climactic pluck to the car. The short shorts girl ran over and said, "I am so sorry, I tried to run."

The woman on the cell surprisingly had no reaction and said it was no problem.

And as if on cue, they both look toward me, the eavesdropping onlooker who sat by and did nothing. I shrunk behind my steering wheel.

The next day I was picking up tickets at The Orleans, when a sight-impaired woman approached the box office and asked to use their phone to check on her shuttle time. They ignored her.

This is shameful for not just a casino that relies on happy players but on a human level too.

They're probably the type to let a shopping cart roll.

I stopped the cart this time, offering the grateful woman my cell.

Sometimes I think Vegas has deadened my and others' senses by providing continual sensory overload. Vegas is like one big acid trip. Tonight at Fitzgeralds, for example, you can play tic-tac-toe with a live chicken and win cash. Where else?

I can recognize other Vegas zombies, primarily those playing slots in supermarkets. (I'm judging here, but I do seem to look down on those who play slots at stores or gas stations. Really, though, they're just saving time by not going to the casino. They're not saving money, because they'll ultimately lose at either.)

After a bad poker session at Harrah's recently, I was numb and drove on automatic pilot down the shortcut Koval to avoid the Strip. I was in a bad mood, made worse by the heat and being stuck in traffic.

A hooker walking on the sidewalk going the other way happened to make eye contact with weary me. She waved and shot the most beautiful, radiant smile at me, then kept walking.

And suddenly my world was much brighter.

Sometimes the best light in this town isn't the beam at Luxor.